The shirt does not show a ball rolling down a hill. It shows a ball that has already arrived. Above the words I HAD POTENTIAL, printed in white capitals, a curved white ramp descends from left to right. At the upper left ledge sits a dashed empty circle. At the lower right flat ledge rests…
The rectangle is black-and-white speckled, like the cover of a composition notebook that has been handled through a school year. A dark binding strip runs down the left edge. Inside a white ruled label headed COMPOSITION, an outlined ghost and pumpkin sit together. This is the actual retail garment image for the Composition Notebook Costume…
On a dark shirt, centered, in lowercase, sits the word meh. The period is part of it. The letters are small enough that you have to be close to read them, and the shirt does not repeat the word, decorate it, or surround it with an animal. There is no illustration. The whole design is…
The shirt says meh. Not MEH. Not Meh! The native garment preview shows large bold white lowercase lettering on a dark shirt, and the period is part of the artwork—a full stop that lands harder than the word itself. There is no animal illustration, no secondary slogan, no decorative frame. Just four letters and a…
The first thing the shirt does is borrow the grammar of a hazard sign. Across the chest, in the blocky sans-serif that municipal works departments use for wet floors and live wires, the words NOT FRIENDLY sit above DO NOT TOUCH. Between them, or beside them, depending on how the print falls, is a yellow…
The carrot is smiling. So is the radish, the beet, the onion. Four root vegetables, each drawn with its taproot or bulb visible in a band of soil, arranged in a loose ring. Around them, in capitals, runs the line: LET’S ROOT FOR EACH OTHER AND WATCH EACH OTHER GROW. The artwork is a garden…