Friday – Sunday, August 25 – 27, 3.00pm – 7.00pm, at Film and Television Institute of India, Main Theatre
Open Space/Centre for Communication and Development Studies invites you to Himal:Travelling Films South Asia , a 3 day documentary film festival showcasing non-fiction films which highlight political, economic and cultural issues that concern South Asia
Day 1
Friday, August 25, 3.00pm – 7.00pm, at FTII Main Theatre, Law College Road, Pune 411 004
IMAGINARY HOMELANDS
1. Continuous Journey (87 min)
India/Canada, 2004, dir – Ali Kazmi
Winner of the Ram Bahadur Trophy for Best Film at FSA '05
In 1914 the Komagata Maru, a vessel carrying 376 immigrants from British India, became the first ship transporting migrants to be turned away by Canada. During the two-month detention in the harbour, Canadian authorities drove the passengers to the brink of thirst and starvation. The affair exposed the British Empire's myths of equality, fair play and justice, and became a turning point in the freedom struggle in India. Continuous Journey is a multilayered film essay to unravel a complex and little-known incident.
2. Dirty Laundry (42 min)
South Africa, 2005, dir – Sanjeev Chaterjee
More than a hundred years after Gandhi left South Africa to pursue a life of Indian nationalist politics, South Africans of Indian origin continue the quest to define themselves and who they are. Dirty Laundry is a travel essay and historical journey that offers a glimpse of this struggle for self-definition and cultural identity in today's world, from the role of South African Indians as revolutionaries in the anti-apartheid struggle up to the activities of the present.
3. The Legend of Fat Mama (23 min)
West Bengal/India, 2005, dir – Rafeeq Ellias
This is a bittersweet story of the Chinese community in Calcutta intertwined with the nostalgic journey in search of a woman who once made the most delicious noodles in the city's Chinatown district. Thriving street food, disappearing family-run eateries, mahjong clubs, a Chinese printing press that has shut down and its handwritten counterpart that continues to deliver the news every morning, and the first all-woman dragon dance group preparing for the Chinese New Year make up the Chinese heritage in Calcutta.
4. Team Nepal (37 min)
Nepal, 2005, dir – Girish Giri
A passionate team of Nepali footballers, representing a youth club from the Nepali border town of Birgunj, travel to Sonpur, Bihar in India to play in a tournament there. Team Nepal is the documentation of their experiences in Bihar, travelling, meeting and mixing with other footballers, living in a foreign country, and playing the game they love.
Day 2
Saturday, August 26, 3.00pm – 7.00pm, at FTII Main Theatre, Law College Road, Pune 411 004
THE HUMAN SPIRIT
1. A Certain Liberation (38 min)
Bangladesh, 2003, dir – Yasmine Kabir
Winner of the Second Best Film Award at FSA ‘05
Gurudasi Mondol resigned herself to madness in 1971 when, during the Liberation War of Bangladesh, she witnessed the murder of her entire family at the hands of the collaborators of the occupying forces. Today Gurudasi continues to roam the streets of Kopilmoni, a small town in rural Bangladesh, in pursuit of all she has lost, taking liberties only her madness and her strength of character afford her. In her beloved home of Kopilmoni, Gurudasi has now attained near legendary status and, through her indomitable presence, she has kept the spirit of the Liberation War alive.
2. Good News (17 min)
Assam/India, 2005, dir – Altaf Mazid
A writer looks for a bit of good news in the days of the Assam Movement (1985-1990), when the youth had sunk to the lowest depths of degradation, and civilized emotions seemed to be wiped completely out of existence. Newspapers had chilling pages of depressing stories and to read them was to be overcome by an even greater feeling of horror and helplessness. Finally, the writer discovers a small piece of news item in a morning paper that gives him hope.
3. Lanka: The Other Side of War and Peace (75 min)
Sri Lanka, 2005, dir – Iffat Fatima
In February 2002, after more than 20 years of fighting, the Liberation Tigers of Tamil Eelam and the government of Sri Lanka signed a ceasefire agreement. Soon after that the A9 highway that links north and south Sri Lanka was opened to civilian traffic after twelve years. Structured like a travelogue, the film traverses the northern and southern landscape of Sri Lanka. As it shifts between north and south, it spans the history of last three decades of violence in Sri Lanka.
4. Teardrops of Karnaphuli (60 min)
Bangladesh, 2005, dir – Tanvir Mokammel
The Chittagong Hill Tracts (CHT) is home to twelve predominantly Buddhist ethnic groups who are collectively known as the “Jumma” nation. The first disruption of peace in CHT took place from 1959-1962, when a dam was constructed on the Karnaphuli river, submerging 54,000 acres of arable land and making refugees of 100,000 people in the process. These hill people suffered a second crisis in 1979 when the government brought plain land Bengalis from various districts and settled them in CHT.
Day 3
Sunday, August 27, 3.00pm – 7.00pm, at FTII Main Theatre, Law College Road, Pune 411 004
BODY & SOUL
1. Girl Song (29 min)
West Bengal/India, 2003, dir – Vasudha Joshi
The film enters the life of Anjum Katyal, blues singer, poet and mother, capturing her voice as she performs the blues in her home city of Kolkata, as she reads her poems and journal entries aloud to her daughter, and as she converses with her mother of the cultural heritage she is so proud to be a part of. Anjum also talks of confronting the climate of hostility and distrust towards minorities that is spreading throughout India.
2. The Life and Times of a Lady from Avadh: Hima (135 min) Pakistan, 2005, dir – Shireen Pasha
This documentary, on 90 year old Hima, explores the extraordinary time in the history of the subcontinent (Awadh after the decline of the Mughal Empire in the 18th century). It traces history, Hima's life, and her relationship and letters with her renowned talukdar writer father.
3. Sunset Bollywood (54 min)
India, 2005, dir – Komal Tolani
A struggling actor in Bollywood dreams of his big screen break. It arrives, and he skyrockets to stardom. Becoming number one is easy after all – staying there is the hard part. Overnight success is sought by millions, but what happens when the lights go out? Where are they now? And why did they disappear in the first place? In Bombay's glamorous celluloid world, failure is not an option. The film follows three actors on their journey back, each one unable to accept failure, craving the narcotic high of celebrity.
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