Rumours

 

Something strange is happening

to the walls —

in their brick hearts there is

a fire rekindled.

 

Speech bubbles escape

them. Outside, unaided

by microscopes – naked

and visible –

 

the walls are trying to say something.


Lines On Water

 

The shore vanishes.

Under a lowering unfamiliar sky

the constellations reveal themselves

in short, incomprehensible bursts.

We are lost

 

to the waves, to the chasing spray,

the tossing horses

and to the country we have left behind.

To ourselves,

lost.

 

Ahead, a wild chase

we don’t yet know what

wealth: gold, ivory, pepper,

we hope.

I say, geese. Sheep. Dung.

 

On different shores now

we have drawn lines on the water

and this is where

the ink runs out:

where fingers darker than ours

clutch shiny glass beads

 

and where through the sudden night

a trumpet sounds our banishment.

 

 

 

 

 


‘Category Instability’

 

Stripped of their human presence and meaning, we can see in the cup, the bath, the shoe, the bicycle, how many strange, lonely and often ugly things we make for the world. The category-instability of the thing is easily made apparent: a chair suddenly looks like firewood when it gets cold enough.

                                                            —Don Paterson

 

‘A donkey, a drum and a woman.’

 

Manu, self-born, arises like a thought

and looks for things to hold on to.

But objects imagine themselves

 

one into the other. Donkeys stretch their skins over drums,

skins hold water for thirsty pilgrims, and the women

cannot be contained.

 

‘The lunatic, the lover and the poet.’

 

Imagination yokes us.

We are beasts of burden

tied to our words.

 

When we think of something

we are really thinking

of something else.

 

But language has us in its grip and

we try to hold that note, prolong it

so that nothing beats that can be heard

 

but your old, uncomprehending heart.

 


Street Cred

 

is not very hard won here:

 

mouths fat with the glottal stops

of out-of-work miners

from a cold, northern land

 

give the lie to scarecrow clothes

worn like a bag lady’s (from another shore)

one on top of the other;

 

scrounging fingers gleam with rings

invert, dip, say hello

in unfamiliar tongues.

 

These streets cannot be ours

or perhaps it’s we (the people)

who don’t belong.

 

Our self-images lie shattered,

like the mobbed shop windows

that gape a scream

 

in the bleached hard indefinite sun.

 


Beastie Babies

for Vijai

 

Wander            lust

            I power

my shoes with

                        maps

of continents

            drifting along

different            fault      lines

 

No

nostalgia

for shapes our

                        stories

might have taken

 

In the new east

we give birth

                        squatting

on the fears

            of lost

 

generations.


Celebrating Rain

 

We have gathered here today

to curate the rain,

record its falling. We have gathered

to hold the season

like a cool veil

over our scorching days.

 

But think also, for a moment

of those who stand below the gathering clouds.

History is nothing

if not the telling of it;

if nobody speaks of remarkable things

who will know

 

about torn lands where the rains

do not fall at this time,

where the skies only hurl

dark things

and where nothing quenches

the thirst of bones.

 

Who will know, if we do not speak,

that in the time when swings ought to be draped

with flowers and trees brought to life

by the touch of a foot,

the only thing that blooms fiercely

is the blood of those

 

who did not ask for the battle

to be brought into their homes

while they lay asleep,

moving imperceptibly

from sleep to death

in the way that the clouds

 

leach into the air and

make it heavy with the weight

of water, make it sharp

with pain.

Many things rain down upon us

but perhaps all things

cannot be celebrated, even in season.

 

 


Without quite knowing how,

I’ve lost the language of my childhood.

I’ve forgotten how to write about

the way dusty roads look

 

early in the morning when they lead

to cool mango trees low enough

to climb. I’ve lost the trick of

capturing, if I ever knew how,

 

the smell of ghee on the woman

who came to sell it door-to-door,

and we stared at each other in outrage:

 

I, at how she seemed to have forgotten her blouse

and nobody else noticed, and she at how

I shamelessly lounged in shorts

and nobody seemed to mind.

 

When did I forget the word for those flies

that winked in and out

of the evening while we waited

for someone in a field of lanterns?

 

In the city, I have a restricted vocabulary.

My numerous words have put

me in a place from where I can only

occasionally see, each

 

experience separated and defined

by what I don’t have the words for. 

 

 

 


Almost Sixty

for Amma

 

Use the early mornings to recall

the gravel between the toes

on those long-ago

barefoot walks to school

 

as the dew on the lawn

you gave yourself as a gift

now slides gratefully

between the cracks in your heels.

 

And when getting up from making

an elaborate, beautiful kolam

is not as easy as it has now become

to let go,

            know

 

that you have passed on

much more than

an impression of age;

that some things are written

not in the genes

 

but in the bones of those

who are now growing up

and will in turn leave behind

a legacy of ageless trees.

 


In The Last Cycle

 

1.

 

Sthiraha: One million seven hundred

and twenty eight thousand years

and yet virtue remains

undiminished.

 

Sukham: Nothing, no act, no deed

will send out rippling

into infinity

the faintest echo of evil.

 

Asanam: He sleeps on

unmoved unmoving.

His dreams have just begun.

 

2.

 

Sacrificial white

clean, virginal.

 

The fires rise up

a corridor, a line

of communication.

 

Bend your head in supplication:

there are ways to join

your purity with your desires.

 

3.

 

Churn it up, my friend.

Collect the poison

of those silent battles

unvoiced lies

 

and hold it

in your throat,

 

that your little one

may not be tinged

with this bitterness.

 

See?

Your throat is blue.

The world is safe.

 

4.

 

They want to link the rivers

bring water to the parched

make the whole land holy

 

with the filth of every decomposed

body, offering and oblation

I carry.

 

Did you know

when you captured me

and reduced me to a mute fountain

from your dark, matted locks

 

that this is how it would end?

 

 


Shelter

 

Strength comes from within.

I want to be like a tree

on which the birds rest

but when they fly away

there is no pain.

 

Just the peace of the air

the feel of the wind

on my leaves

which drop when the seasons change

with no regret.


 

Rough

 

The hours pass swiftly,

fleeing from a rumour

of quiet knives. Alone in the car,

she waits and listens as the leaves

drop on the roof, one note louder

than silence.

 

The side-view mirror is aligned

to show firm lips

and the chin below, trembling a little; if the tears

have gathered they haven’t yet made

their way down to what the mirror sees.

 

She waits, she listens.

With the patience of tinder she watches him

open the gate, carrying behind him

the invisible winds of a conflagration.